
BREAKLINES
WORDS & WONDER
The Future Wears Film
I ordered the Contax T2 on July 1st… and basically stopped sleeping properly after that. Not because of stress. Because of pure, childlike excitement.
Digital in Disguise (Don’t Tell the Film Guys)
There’s something about the imperfect that feels… perfect.
Remembering Hong Kong
There are places that don’t just stay in your memory. They echo. Hong Kong is one of those places for me.
Letting Go of Perfection..
No screens. No preview buttons. Just 27 frames and whatever the streets had to offer.
It’s Not You. It’s Them. (And by “them,” I mean the algorithm.)
Shoot what you love. Not what’s trending.
True simplicity is the hardest thing to get right
“It`s easy when its not so hard” - Taiga Kush
Digital Feels Like a Cheat Code
We cling to the old ways not just out of nostalgia, but because of how they make us feel. There’s joy in the effort. Magic in the unknown.
Test and Failure with the XPan
There’s something I love about both worlds. With digital, I get control. I can fine-tune everything until the image feels just right. With analog, there’s this beautiful unpredictability, but also the constant pressure of limited chances. Every press of the shutter costs money. It’s like walking a tightrope between freedom and risk.
From Pixels to Film: Learning the Hard Way
Shooting with the Hasselblad XPan feels more like composing a scene than just taking a photo. You only get 21 shots, and every one feels like a little gamble. No preview. No second chances.
My Backpack Time Machine
Everyone’s chasing megapixels, 8K reels, and autofocus that can track a mosquito’s heartbeat. Meanwhile, I’m manually winding film and hoping I didn’t mess up the loading. There’s something beautiful and slightly ridiculous about that.
Why the Ricoh GR III Is My Street Photography Weapon of Choice
That camera slips into my pocket, disappears in my hand, and lets me focus on what really matters.
The moment.
Why I LOVE TO Shoot at Night
There’s something different about photographing at night. It’s hard to describe, but once it grabs you, it doesn’t let go.
Break the Pattern: How street photographers can avoid copycat shots
“Originality comes from intent, not imitation.”