Most of all, it was about friendship. About having someone next to you who understands why you stop in the middle of the street, why you wait for nothing to happen, why a photograph sometimes matters more than it should.

There’s something quietly funny about photographing the Munch Museum with a camera that would struggle to fill a floppy disk.

Surrounded by legacy and permanence, it’s a reminder that not everything needs to be archived perfectly.

Nothing happens here, and that’s exactly the point… This week, we take a look at a frame produced by a Haugerud native, Mathias Nesvold Bjørndahl.

Sometimes you don’t need another perfect image.
You need a reminder of why pressing the shutter felt fun in the first place.

And this little camera?
It does exactly that.

A quiet, geometric moment from Jonas Oden Ulset. A study of light, solitude, and storytelling through simplicity.

Film shooters. Digital shooters. First-timers. Veterans. One walk. One community. This is Photobreak.

A deep dive into one frame from Mats B. Halvorsen`s catalogue. We explore his use of space, color, and quiet intension to build a perfectly balanced scene.

3 simple techniques to help you see the streets with more confidence, creativity and clarity.

Switching from digital to analog is not only about film, cameras or scanners. It is about awareness. It is about slowing down and paying attention again.

A reflection on finding balance in photography, learning the rules, letting them go, and trusting your style to emerge.

A single photograph, so many choices. Exploring the light, composition, and intension behind one striking frame.

When an opportunity arrives, don’t freeze or overthink. Jump into it with both feet, even if you have no idea where the path will lead. The questions, the doubts, and the details can come later. What matters in that moment is the willingness to trust your instinct and move forward

In an age of instant feedback and machine made ideas, what remains uniquely ours as photographers?

This wasn’t about buying a legendary camera. It was about choosing a direction. A tool that fits where my photography is headed. Something I can trust, something that pushes me, and something that keeps me excited to create.

A reflection on why photography isn´t a competition, and how real growth comes from curiosity, intension and building your craft quietly. Forget chasing praise, focus on the work, the light, and the subjects that genuinely move you.

In this guide, I break down four simple but powerful techniques that any photographer can use to create more artistic, intentional images. These ideas are collected by the work of four high level photographers whose styles continue to inspire how I see light, color, scale, and layers.

35mm opens the frame, 50mm closes it, but 40mm… that’s home.

What happens when you treat a digital camera like a roll of film? In this post, I shoot a “digital roll” of 36 frames on the Ricoh using a Portra 400 recipe, shutter priority, and straight out of camera jpegs.

I set out with a rare film, terrible weather, and no real idea what I was doing, and somehow ended up with some of my favorite motion blur frames this year. This is what can happen when you trust the film, embrace the mistakes, and let the blur tell its own story.

For those of us who live half digital and half analog, this feels like the next logical step. I’m genuinely curious to see how it stacks up against a macro rig, but the idea of everything in one compact box is very tempting.